Symbolism Of Ernest Hemingway s Young Goodman Brown

The story is concluded with the train arriving in five minutes, and with no resolution concerning the abortion or the couple’s relationship. Ernest Hemingway does not waste a word or line in this short story, giving everything a deeper meaning or importance. Hemingway uses various images and objects that project emotions and feelings that are not explained in words. They are left for the reader to infere for themselves. By looking at the symbolism of the title, the scenery, and drinks, we are able to analyze the truth in the couple’s relationship. Nathaniel Hawthorne’s, â€Å"Young Goodman Brown†, is a suspenseful story in which we see various forms of symbolism. This story presents us with the protaganist, a young and innocent man named Goodman Brown, which by his name is actually a good religious man. He departs away from his wife faith, to embark on a journey into the woods, he will return by morning. His wife faith begs him not go. On his journey, he finds himself on a dark path and it swallows him up as he advances along the path. Goodman Brown shows us that his faith is not as strong as he thought himself to be. Symbolism in this story, is used to illustrate the uncertainity of Brown’s faith, and the evil that tries to pull him in. The largest symbols existing in this story are Goodman Brown and his wife Faith. Both characters have a symbolic name that reflect their personalities. Hawthorne uses Brown’s wife’s name Faith, as a symbol of Brown’s own faith throughout theShow MoreRelatedANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pageshimself, or internal, in which case the issue to be resolved is one within the protagonist’s psyche or personality. External conflict may reflect a basic opposition between man and nature (such as in Jack London’s famous short story â€Å"To Build a Fire† or Ernest Hemingway’s â€Å"The Old Man and the Sea†) or between man and society (as in Richard Wright’s â€Å"The Man Who Was Almost a Man†). It may also take the form of an opposition between man and man (between the protagonist and a human adversary, the antagonist)